Analyzing, Interpreting, and Assessing Visual Art Essay

The coarse Wave off Kanagawa is the most well-known(a) Nipponese woodblock cheat ever created in the history of Japan (Sayre, 2010). The chef-doeuvre was created by Hokusai Katsushika, known to be the honorable Japanese bulls eyemakers of the 19th century. The Great Wave off Kanagawa set precedent for the first of 36 views of gull fuji, 1823-29 (Sayre, 2010). I will discuss the six elements of visual design, go in detail of the elements that was present in The Great Wave off Kanagawa, and estimate the quality. The Great Wave off Kanagawa has several elements in this masterpiece. For example, how vessel ships lines up with the quavers making the vessels appear to be flowing with the high tide waves. The exposure The Great Wave of Kanagawa is a great example of line. This painting has truly bold, emphasized lines that help to define the water from the sky. As well indoors the water, the line helps to determine the different part of the water, the foam, or the curves of the waves. Hokusai makes it very slow for ones eyes to follow the moving of the water. Also, how Mt. fuji cherry in the distance looks like it could be part of the wave too.This was very tricksy of the artist to give the impression that all the triangular shapes appear to be the waves themselves. In order for the artist to make this impression, he used leisurely gamys along with dark blues for the waves depicted in the drawing. The begin blues represent a higher tide and the dark blue the sea. The artist simplified the waves to an array of flat patterns with a black outlining for more than intensity. The drawing depicts vessels that are probably carrying food and supplies this was especially relevant bottom in the 1800s. It is hard to tell what time of twenty-four hours that the drawing perchance could have been created, but I am going to assume during the day giving the light blue hues and how one can see Mt. Fuji in the far distance. When analyzing the work in terms of five principles, the rudimentary theme here is not the wave but the Mount Fujihowever at first glance, it almost reads as another cap of foam. But precisely, it is its consistency with the lines and colors of the piece, as well as the face of the picture around it which achieve the unity of the composition. Indeed, the Mount is placed in the right central part of the composition, which has to be read from the right to the left wing (instead of reading from the left to the right, as occidentals use to).Furthermore, it is painted with the two main colors of the picture. The message uniting this piece is conveyed through the contrast mingled with the distant, quiet, and unchanging mount in the background and the violent and ephemeral play up scene. While evaluating the artwork of the artist, Hokusai, it appears all the attention wasnt just near the waves. He was able to balance the drawing by adding the people in the cargo ships. A person can see as the wave intensifies the situatio n of the sailors. The great wave commands the picture plane, dramatically overshadowing the distant top out of Mount Fuji. Reconciling the essential contradictions between the movement of the water and the apathy of the mountain, this print captures and fixes the wave so that it paradoxically becomes a static, elegant, and poised social structure rather than something fluid and ephemeral. While the waves sheer outstrip and claw like extensions are threatening, the potential for violence is undermined by the esthetical artifice of making the small wave in front of it a visual double for Mount Fuji.The viewers gaze is deflected the orbit is distanced and generalized, but here the curling wave in the foreground swallowing up the boats drawing any viewer into its orbit, creating an extraordinary immediacy of experience. The disturbingly low, water-level standpoint gives the illusion that we are seeing the wave from within its vortex. After guardedly reviewing the picture The Gre at Wave off Kanagawa I would say that this art holds cultural economic value to it. This painting is one of the most famous industrial plant of art in the world, but debatably the most iconic work of Japanese art. There have been thousands of copies of this painting produced and sold cheaply.Despite the fact that it was created at a time when Japanese trade was heavily restricted, Hokusais print displays the influence of Dutch art, and proved to be inspirational for many artists operative in Europe later in the nineteenth century. The flattening of space, an interest in atmospheric conditions, and the impermanence of life all visible in Hokusais prints and both reaffirmed their own artistic interestsand inspired many future workings of art. It does not on the other hand hold historic value because it does not depict anything in history that has occurred.ReferenceSayre, H. M. (2010). A demesne of Art Chapters 4-8 (6th ed.). Boston, MA Pearson Education.