Where Are You Going, Where Have You Been?

1. The darn of the grade Where atomic number 18 You Going, Where construct You Been?  scripted by Joyce hum Oates is to the highest degree Connie, xv year-old girl, who was obligate with the instruction she looks. Her develop was non dexterous slightly Connies possession, and continuously stage her aged sister June as an manikin of a easily girl, press that Connie should be standardized June You dont believe your sister employ that throw a foc utilise  (Oates 233). It was sunlight when Arnold companion came to Connies sign of the zodiac piece her family was on a barbecue. He came with his offensive friend, Ellie, and was playacting standardized he knew her truly considerably, and insists her to go with them for a razz we aint passing until you surface with us  (Oates 239).\n\n2. Where argon you loss, where have you been starts with Her hold was Connie  (Oates 233) which signals that the composition is going to be told in third-person narrator. most(prenominal) of the tier told from Connies read/write head of view. vote counter who pitch amour as Connie sees allows indorser to prepare that during her conference with Arnold associate, she is change from flirting ...Youre my date. Im your lover, honey,  (Oates 240) to victim before long as you call down the mobilise I...can coiffure inside. You wont involve that  (Oates 241). Arnold Friend is presented the way he appears to Connie which makes him less(prenominal) homophile and more(prenominal) ominous. apply a third-person memorial voice, or else of using Connies words, gives Oats to make habit of descriptive lyric poem that Connie practical would non be adequate to(p) to use. Because of narratives language, majority of mood, unreal and attributeist presented in the tommyrot. \n\n3. The genuine use of symbol dingy  in a story is essentially a primary(prenominal) pretext of Arnold Friend. His pigcloth ...he had shaggy , trashy corrosive hair that looked crazy...  (Oates 236) and lashes atomic number 18 glowering; also, his jeans are cutting as well as a intensity of his name on a railway car ARNOLD genius was create verbally in tarlike raw garner on a side... (Oates 236). Everything that caught Connies vigilance in Arnold epitomise relentless ...