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EXTERNAL HISTORY.Considered along with LAS MENINAS to be one(a) of the most important masterpieces of DIEGO DE VELAZQUUEZ ,as if final perido,this metological scene despits Minerras dispute with Arachne over weaving abilities.Traditionally cosidered to represent women working at the tapestry workshop of Santa Isable but it now prored that it is mythological subject.It was probably painted roughly 1657.The title of "THE SPINNERS",as it ispopularly known,is a later invention and seems to have been inspired by the women who are spinning in the foregroundthey were workers in the Santa Isabel tapestry factory in Madrid.This Velazquez painting, considered for a long represent a generic theme,actually hides the line drawing of a mythological theme draped in the every daylight press of a tapstry workshop.In the mid forties,sepcialists refused to interpet it as a simple every day scen.Their doubt were clarified when reearcher Maria Luisa Caturla brought to light aninventory in which an unknowed Velazquezs manufacturing of Arachae was mentioned,owned by huntsman to King Philip 4th,Don Pedro de Arcc.One of the problems that hindired the identification of the subject lay in the fact that the work did not belong to collections and documentary information existed rough it.INTERNAL HISTORYThe Fable of Archa,as related in Ovids Metamorphoese,tells how Minerva,goddess of the artistic creations and of war,competes with Arachne,famous for her skill in spinning in weaving a tapestry.The junior spinner was insolent enough to prevent in her work one of the love advantures of the goddess father Jove,and by way of punishment,she was transformed into a spider.ICONOGRAPHY level so,Velazquez had used Baroque recourse of inserting a picture within a picture since he was a youngman, and he linked to reverse the prepare of important of the story(i.e putting the trivial forward and the fundamental behind) This canvas was added onto it in the 18th century,on the upper par t and both sides.It is not know if this aws do to restore it to its original state (it was thought to have suffered damage in the Alcazar fire of 1734) or if it was simply and attempt to complete the scene to achieve it larger.Certain scholar say it is an Apology of fine arts,intended to show the superiority of the art of painting over the hand crafts, while others see it a political Allegory after Ripas Iconology.TECHNIQUEThe Spinning wheels turns rapidily showing the easygoing Velazquez technique.The canvas was probable damaaged by the fire in the Alcazar(1734) and an upper s